Digipak Design
The artwork for The Watt Riot's Paint the City Red EP features mixed media techniques, including hand-drawn elements and collaged photos, printed on cardboard digipaks with UV spot splatter paint, complemented by a multimedia bonus video.
Concrete Skateboard Bench Seats
This project for Fairy Meadow and Unanderra skate parks involved designing glow-in-the-dark concrete benches and murals, inspired by local student workshops. Community-driven, eco-friendly, and vibrant, these installations reflect local skate culture and creativity.
Art Magazine
The Anchors Aweigh Art Studio Creative Projects Magazine, designed during the 2021 COVID lockdowns, featured layouts in InDesign, with photos edited in Photoshop and vectors made in Illustrator. It supported creative learning with 15,000 printed copies and online workshops.
Shonen Knife
I was thrilled to design a poster for the legendary Japanese punk band Shonen Knife. Starting with a pencil sketch, I brought the design to life digitally, and it was hand screen-printed in America, selling out at their gig.
Illustrated Band Logo
A hand-drawn logo for psychedelic band Lint was transformed into a vector in Illustrator, with vibrant gradients reflecting their sound. The final design features multiple colorways, capturing the band's experimental and bold artistic identity.
Documentary Illustration & Layout
I designed the artwork for The Occy - A Doco, capturing local icon Dave Mutton in a suit on a bike, alongside playful rats—a nod to developers' dismissive term for musicians—celebrating Wollongong's vibrant music scene.
Fight or Flight
Fight or Flight is a 13-piece art series that explores themes of isolation, resistance, and community through hand-drawn illustrations, screen printing, and stencil art. Each limited-edition print is uniquely colored, blending urban and rural contrasts in striking visuals.
Lost in Time – Soundtrack
I composed and recorded the soundtrack for the animated short film Lost in Time as my entry into the Berlin International Film Scoring Competition 2022, blending live drums and layered instruments to create an emotional, dynamic composition that complements the film’s animation.
Event Illustration & Collateral
For the UnScene Festival, I designed the logo, branding, and illustration featuring a miner with a lamp and canary, symbolising Illawarra’s mining heritage and shining a light on the region’s often overlooked creative talent.
Audio Composition
The Other Side of Space showcases multi-instrumental composition and production, with live drums, bass, guitar, keys, and effects recorded, mixed, and mastered in Logic Pro. A self-edited video complements the track's atmospheric soundscape.
